RECENT
PUBLICATIONS
BOOKS
& ARTICLES, SCORES,
RECORDINGS,
& DVDs
BOOKS & ARTICLES
Allen, Stephen Arthur. “Christianity and Homosexuality in the Operas of Benjamin Britten.” The International Journal of the Humanities 2 (2005): 817-24.
Allen, Stephen Arthur. “Billy Budd: Temporary Salvation and the Faustian Pact.” Journal of Musicological Research 25 (2006): 43-73.
Allen, Stephen Arthur. “Benjamin Britten” and “Michael Tippett.” In Musicians and Composers of the 20th Century. Pasadena, CA: Salem Press, 2008.
Allison, Dale C. The Love There That's Sleeping: The Art and Spirituality of George Harrison. New York: Continuum, 2006.
Atlas, Allan. “A 41-Cent Emendation: A Textual Problem in Wheatstone’s Publication of Giulio Regondi’s Serenade for English Concertina and Piano.” Early Music 33/4 (2005).
Barger, Judith. Elizabeth Stirling and the Musical Life of Female Organists in Nineteenth-Century England. Music in Nineteenth-Century Britain. Aldershot, UK: Ashgate, 2007.
Bashford, Christina. “Varieties of Childhood: John Ella and the Construction of a Victorian Mozart.” In Words About Mozart: Essays for Stanley Sadie, edited by Dorothea Link with Judy Nagley, pp. 193-210. Woodbridge, UK: Boydell Press, 2005.
Bathe’s A Brief Introduction to the Skill of Song. Edited by Kevin Karnes. Music Theory in Britain, 1500-1700: Critical Editions, edited by Jessie Owens. Aldershot, UK: Ashgate, 2005.
The Beatles and Philosophy: Nothing You Can Think that Can't Be Thunk. Edited by Michael Baur and Steven Baur. Chicago: Open Court, 2006.
Beckman, Janette. Made in the UK: The Music of Attitude, 1977-1983: Essays by Vivien Goldman and Paolo Hewitt. New York: PowerHouse Books, 2005.
Bennett, William Sterndale. Lectures on Musical Life. Edited by Nicholas Temperley with the assistance of Yunchung Yang. Boydell & Brewer, 2006.
Bevin, Elway. A Briefe and Short Instruction of the Art of Musicke. Ed. by Denis Collins. Music Theory in Britain, 1500-1700: Critical Editions. Aldershot, UK: Ashgate, 2007.
Bono in Coversation with Michka Assayas. With a foreword by Bono. New York: Riverhead Books, 2005.
Bradley, Ian, ed. The Daily Telegraph Book of Carols. London; New York: Continuum, 2006.
Bradley, Ian. Oh Joy! Oh Rapture! The Enduring Phenomenon of Gilbert and Sullivan. Oxford: Oxford University Press, 2005.
Bramwell, Tony and Rosemary Kingsland. Magical Mystery Tours: My Life with the Beatles. New York: Thomas Dunne Books, 2005.
Brett, Philip. William Byrd and His Contemporaries: Essays and A Monograph. Edited by Joseph Kerman and Davitt Moroney. Berkeley: University of California Press, 2007.
A Briefe Introduction to the Skill of Song by William Bathe. Edited by Kevin C. Karnes. Music Theory in Britain, 1500-1700: Critical Editions. Aldershot, UK: Ashgate, 2005.
Burrows, Donald. Handel and the English Chapel Royal. Oxford Studies in British Choral Music. Oxford: Oxford University Press, 2005.
Bush, Alan. The Correspondence of Alan Bush and John Ireland: 1927-1961. Compiled by Rachel O'Higgins. Aldershot: Ashgate, 2006.
The Cambridge Companion to Elgar. Edited by Daniel M. Grimley and Julian Rushton. Cambridge: Cambridge University Press, 2005.
Carley, Lionel. Edvard Grieg in England. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2006.
Carter, Alexandera. Dance and Dancers in the Victorian and Edwardian Music Hall Ballet. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2005.
Chrissochoidis, Ilias. “A Chubby Orpheus: Handel’s Corpulence as a Prerogative of Genius.” In Consuming Culture in the Long Nineteenth Century: Narratives of Consumption, 1700-1900, ed. Tamara S. Wagner and Narin Hassan, 193-204. Lanham, MD: Lexington Books, 2007.
Chrissochoidis, Ilias. “A ‘fam’d Oratorio ... in old English ... sung: Esther on 16 May 1732.” The Handel Institute Newsletter 18/1 (Spring 2007): [4-7].
Chrissochoidis, Ilias. “A Handel Relative in Britain? (also Cutting through the 1759 Fence in Handel Studies).” Musical Times 148/1898 (Spring 2007): 49-58.
Chrissochoidis, Ilias. “His Majesty’s Choice: Esther in May 1732.” Newsletter of The American Handel Society 22/2 (Summer 2007): 4-6.
Clayton, Martin and Bennett Zon, eds. Music and Orientalism in the British Empire, 1780s-1940s. Music in Nineteenth-Century Britain. Aldershot, UK: Ashgate, 2007.
Cloonan, Martin. Popular Music and the State in the UK: Culture, Trade or Industry? Aldershot, UK: Ashgate, 2007.
Cogan, Visnja. U2: An Irish Phenomenon. Doughcloyne, Wilton, Cork: Collins Press, 2006.
The Collected Letters of Peter Warlock (Philip Heseltine). Edited by Barry Smith. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2005.
Cohen, Sara. Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles. Aldershot, UK: Ashgate, 2007.
Cragg, Stewart R., compiler. Alan Bush: A Sourcebook. Aldershot, UK: Ashgate, 2007.
Dean, Winton. Handel's Operas 1726-1741. Rochester: Boydell Press, 2006.
Dibble, Jeremy. John Stainer: A Life in Music. Music in Britain 1600-1900. Woodbridge: The Boydell Press, 2007.
Ditchfield, Christin. Bono. Ann Arbor, MI: Cherry Lake Pub., 2008.
Donaldson, William. Pipers: A Guide to the Players and Music of the Highland Bagpipe. Edinburgh: Birlinn, 2005.
Dumitrescu, Theodor. The Early Tudor Court and International Musical Relations. Aldershot, UK: Ashgate, 2007.
Edgers, Geoff. Who Were the Beatles? Illustrated by Jeremy Tugeau. New York: Grosset & Dunlap, 2006.
Edward Elgar and His World. Edited by Byron Adams. Bard Music Festival. Princeton: Princeton University Press, 2007.
Elliott, Graham. Benjamin Britten: The Spiritual Dimension. Oxford: Oxford University Press, 2006.
Europe, Empire and Spectacle in Nineteenth-Century British Music. Edited by Julian Rushton and Rachel Cowgill. Aldershot, UK: Ashgate, 2006.
Fifield, Christopher. Ibbs and Tillett: The Rise and Fall of a Musical Empire. Aldershot, UK: Ashgate, 2005.
The Figure of Music in Nineteenth-Century British Poetry. Edited by Phyllis Welliver. Music in Nineteenth-Century Britain, edited by Bennett Zon. Aldershot, UK: Ashgate, 2005.
Foreman, Lewis. Bax: A Composer and His Time. 3rd rev. ed. Woodbridge; Rochester: Boydell Press, 2007.
Foreman, Lewis and Susan Foreman. London: A Musical Gazetteer. New Haven, CT: Yale University Press, 2005.
From Renaissance to Baroque: Change in Instruments and Instrumental Music in the Seventeenth Century: Proceedings of the National Early Music Association Conference . . .. Edited by Jonathan Wainwright and Peter Holman. Aldershot, UK; Burlington, VT: Ashgate, 2005.
Frontani, Michael R. The Beatles: Image and the Media. Jackson: University Press of Mississippi, 2007.
Gadd, G.S. The British Art Piano and Piano Design: A Conversation with a Reader with Many Digressions. Twickenham, Middlesex: Very Yellow Press, 2006.
Gallagher, Jim. The Beatles. Broomall, PA: Mason Crest Publishers, 2008.
Garnett, Liz. The British Barbershopper: A Study in Socio-Musical Values. Aldershot, UK: Ashgate, 2005.
Gibson, John G. Traditional Gaelic Bagpiping, 1745-1945. Edinburgh: Birlinn, 2005.
Gimarc, George. Punk Diary: The Ultimate Trainspotter's Guide to Underground Rock. San Francisco: Backbeat Books, 2005.
Gordon, David and Peter. Musical Visitors to Britain. New York: Routledge, 2005.
Grainger, Percy. Self-Portrait of Percy Grainger. Edited by Malcolm Gillies, David Pear and Mark Carroll. Oxford; New York: Oxford University Press, 2006.
Greene, Joshua. Here Comes the Sun: The Spiritual and Musical Journey of George Harrison. Hoboken, NJ: John Wiley & Sons, 2006.
Gregory, E. David. Victorian Songhunters: The Recovery and Editing of English Vernacular Ballads and Folk Lyrics, 1820-1883. Lanham, MD: Scarecrow, 2006.
Gregory, Peter. Queen. Broomall, PA: Mason Crest Publishers, 2008.
Gruen, Bob. John Lennon: The New York Years. New York: Stewart, Tabori and Chang, 2005.
Haddon, Elizabeth. Making Music in Britain: Interviews with those Behind the Notes. Aldershot, UK: Ashgate, 2006.
Hall-Witt, Jennifer. Fashionable Acts: Opera and Elite Culture in London, 1780-1880. Durham: University of New Hampshire Press; Hanover: Published by the University Press of New England, 2007.
Halstead, Jill. Ruth Gipps: Anti-Modernism, Nationalism and Difference in English Music. Aldershot, UK: Ashgate, 2006.
Harley, John. “‘My Ladye Nevell’ Revealed.” Music & Letters 86.1 (2005): 1-15.
Harley, John. William Byrd’s Modal Practice. Aldershot, UK: Ashgate, 2005.
Harper, Sally. Music in Welsh Culture Before 1650: A Study of Principal Sources. Aldershot, UK: Ashgate, 2007.
Harper-Scott, J.P.E. Edward Elgar, Modernist. Cambridge; New York: Cambridge University Press, 2006.
Harper-Scott, J.P.E. “Elgar’s Invention of the Human: Falstaff, Opus 68.” 19th-Century Music 28/3 (Spring 2005), 230-253.
Healy, Audrey. The Singer and the Song: Sixty Irish Songwriters and their Favourite Songs. Dublin: Hodder Headline Ireland, 2006.
Heller, Wendy. “The Beloved’s Image: Handel’s Admeto and the Statue of Alcestis.” Journal of the American Musicological Society 58/3 (Fall 2005): 559-637.
Herissone, Rebecca. ‘To fill, forbear, or adorne’: The Organ Accompaniment of Restoration Sacred Music. Aldershot, UK: Ashgate, 2006.
Hill, Sarah. Blerwytirhwng?: The Place of Welse Pop Music. Aldershot, UK: Ashgate, 2007.
Hoare, Philip and Chris Heath. Pet Shop Boys, Catalogue. London: Thames & Hudson, 2006.
Hogwood, Christopher. Handel: Water Music and Music for the Royal Fireworks. Cambridge: Cambridge University Press, 2005.
Hold, Trevor. Parry to Finzi: Twenty English Song-Composers. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2005.
Huismann, Mary L. Frederick Delius: A Guide to Research. New York: Routledge, 2005.
Ingham, Chris. The Rough Guide to the Beatles. 2nd ed. London: Rough Guides, 2006.
Johnson, Ian. William Alwyn: The Art of Film Music. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2005.
Johnson, Shersten. “Britten’s Musical Syllables.” Music & Letters 86/4
(November 2005), 592-622.Kielty, Martin. Big Noise: The Sound of Scotland. Edinburgh: Black & White Pub., 2006.
Kirwan, Larry. Green Suede Shoes: An Irish-American Odyssey. New York: Thunder's Mouth Press, 2005.
Klein, Axel. “Stage-Irish, or the National in Irish Opera, 1780-1925.” The Opera Quarterly 21/1 (2005): 27-67.
Kruse, Robert J. A Cultural Geography of the Beatles: Representing Landscapes as Musical Texts (Strawberry Fields, Abbey Road, and Penny Lane). Lewiston, NY: E. Mellen Press, 2005.
Kuykendall, James Brooks. “The English Ceremonial Style circa 1887-1937 and its Aftermath.” Ph.D. diss., Cornell University, 2005.
Lapman, Lewis H. With the Beatles. Hobokoen, NJ: Melville House, 2005.
Leech, Caroline, ed. Welsh National Opera. Cardiff: Graffeg, 2006.
Lowerson, John. Amateur Operatics: A Social and Cultural History. Manchester, UK: Manchester University Press, 2005.
Manning, Toby. The Rough Guide to Pink Floyd. London: Rough Guides, 2006.
Marsh, Dave. The Beatles' Second Album. New York: Rodale, 2007.
Mason, Nick. Inside Out: A Peronal History of Pink Floyd. Edited by Philip Dodd. San Francisco: Chronicle Books, 2005.
McFlicker, Todd. All You Need is Love to Dismantle an Atomic Bomb: How the Beatles and U2 Changes the World. New York: Continuum, 2007.
McKay, George. Circular Breathing: The Cultural Politics of Jazz in Britain. Durahm, NC: Duke University Press, 2005.
McVeagh, Diana. Gerald Finzi: His Life and Music. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2005.
Montgomery, Robert and Robert Threlfall. Music and Copyright: The Case of Delius and His Publishers. Aldershot, UK: Ashgate, 2007.
Newsome, Roy. The Modern Brass Band: From the 1930s to the New Millennium. Aldershot, UK and Burlington, VT: Ashgate, 2006.
O’Connell, Julia Grella. “Of Music, Magdalenes, and Metanoia in The Awakening Conscience” Journal of Musicological Research 24/2 (April-June 2005), 123-43.
O’Donnell, Jim. The Day Jim met Paul: An Hour-by-Hour Account of How the Beatles Began. New York: Routledge, 2006.
Olleson, Philip and Fiona Palmer. “Publishing Music from the Fitzwilliam Museum, Cambridge: The Work of Vincent Novello and Samuel Wesley in the 1820s.” Journal of the Royal Musical Association 130 (2005): 38-73.
Ono, Yoko, ed. Memories of John Lennon. New York: HarperEntertainment, 2005.
Palmer, Fiona M. Vincent Novello (1781-1861): Music for the Masses. Aldershot: Ashgate, 2006.
Parsons, Laurel. “‘Time Management with Twele-Tone Lizzie’: Metric, Dramatic Design in a Scene from Elisabeth Lutyens’s ‘The Numbered’.” Theory and Practice (2006): 153-80.
Elizabeth, Partridge. John Lennon: All I Want is the Truth: A Biography. New York: Viking, 2005.
Platoff, John. “John Lennon, ‘Revolution,’ and the Politics of Musical Reception.” Journal of Musicology 22/2 (Spring 2005), 241-67.
Portrait of Percy Grainger. Edited by Malcolm Gillies and David Pear. Suffolk, UK and Rochester, NY: Boydell & Brewer, 2005.
Prezler, June. John Lennon. Mankato, IN: Capstone Press, c. 2005.
Rapp, Will. The Wind Band Masterworks of Hoslt, Vaughan Williams, and Grainger. Galesville, MD: Meredith Music Publications; Milwaukee, WI: Exclusively distributed by Hal Leonard, 2005.
Read the Beatles: Classic and New Writings on the Beatles, their Legacy, and Why They Still Matter. New York: Pengiun Books, 2006.
A Rebecca Clarke Reader. Edited by Liane Curtis. Bloomington, IN: Indiana University Press, c. 2004.
Rees, Owen. “Adventures of Portuguese ‘Ancient Music’ in Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’; and Musical Antiquarianism, 1650-1850.” Music & Letters 86.1 (2005): 42-73.
Rej, Bent. The Rolling Stones: In the Beginning. Buffalo, NY: Firefly Books, 2006.
Rice, Albert. “The clarinet in England During the 1760s.” Early Music 33.1 (February 2005): 55-64.
Robins, Brian. Catch and Glee Culture in Eighteenth-Century England. Woodbridge; Rochester, NY: The Boydell Press, 2006.
Rogan, Johnny. Van Morrison: No Surrender. London: Secker & Warburg, 2005.
Roger North’s The Musicall Grammarian: 1728. Cambridge, MA and New York: Cambridge University Press, 2006.
Rouse, Andrew C. The Remunerated Vernacular Singer: From Medieval England to the Post-War Revival. Frankfurt; New York: Peter Lang, 2005.
Russell, J.P. The Beatles Complete Discography. New York: Universe, 2006.
Scharen, Christian Batalden. One Step Closer: Why U2 Matters to Those Seeking God. Grand Rapids, MI: Brazos Press, 2006.
Schlesinger, Ethan. The Rolling Stones. Broomall, PA: Mason Crest, 2008.
Schwensen, Dave. The Beatles in Cleveland: Memories, Facts & Photos About the Notorious 1964 & 1966 Concerts. Vermilion, OH: North Shore Pub., 2007.
Selected Letters of Michael Tippett. Edited by Thomas Schuttenhelm. London: Faber and Faber, 2005.
Self-Portrait of Percy Grainger. Edited by Malcolm Gillies, David Pear, and Mark Carroll. Oxford: Oxford University Press, 2006.
Smith, Jeremy L. “Music and Late Elizabethan Politics: The Identities of Oriana and Diana.”Journal of the American Musicological Society 58/3 (Fall 2005): 507-58.
Southey, Roz. Music-Making in North-East England during the Eighteenth Century. Aldershot, UK: Ashgate, 2006.
‘Speak to Me’: The Legacy of Pink Floyd’s The Dark Side of the Moon. Edited by Russell Reising. Aldershot, UK: Ashgate, 2006.
Spitz, Bob. The Beatles: The Biography. New York: Little, Brown, 2005.
Spizer, Bruce. The Beatles Solo on Apple Records. New Orleans, 498 Productions, 2005.
Stark, Steven D. Meet the Beatles: A Cultural History of the Band that Shook Youth, Gender, and the World. New York: HarperEntertainment, 2005.
Stevens, John. The Late Cambridge Songs: An English Song Collection of the Twelfth Century. Oxford: Oxford University Press, 2005.
Temperley, Nicholas. The Music of the English Parish Church. Cambridge and New York: Cambridge University Press, 2005.
Thomas Tomkins: The Last Elizabethan. Edited by Anthony Boden, Denis Stevens, David R.A. Evans, and Bernard Rose. Aldershot, UK: Ashgate, 2005.
Thomson, Aidan J. “Elgar and Chivalry.” 19th-Century Music 28/3 (Spring 2005), 254-275.
Turbet, Richard. William Byrd: A Guide to Research. New York: Routledge, 2006.
U2 and Philosophy: How to Decipher an Atomic Band. Chicago: Open Court, 2006.
Vaughan Williams on Music. Edited by David Manning. Oxford: Oxford University Press, 2008.
Venn, Edward. “Serenades and Elegies: The Recent Music of Hugh Wood.” Tempo 59 (January 2005): 2-13.
Wagenheim, Allan J. John Field and the Nocturne. Philadelphia: Xlibris Corporation, 2006.
Wall, Mick. Bono: In the Name of Love. London: A. Deutsch, 2005.
Wall, Mick. John Peel: A Tribute to the Much-Loved DJ and Broadcaster. London: Orion, 2005.
Weber, William. “Redefining the Status of Opera: London and Leipzig, 1800-1848.” Journal of Interdisciplinary History 46 (2006), 507-532.
Weliver, Phyllis. The Figure of Music in Nineteenth-Century British Poetry. Aldershot, UK: Ashgate, 2005.
Weliver, Phyllis. The Musical Crowd in English Fiction, 1840-1910: Class, Culture and Nation. Palgrave Studies in Nineteenth-Century Writing and Culture. Gordonsville, VA: Palgrave Macmillan, 2006.
Wells, Simon and Getty Images Inc. The Rolling Stones: 365 Days. New York: Abrams, 2006.
White, Harry. The Progress of Music in Ireland. Dublin and Portland, OR: Four Courts Press, 2005.
Winkler, Amanda Eubanks. O Let Us Howle Some Heavy Note: Music for Witches, the Melancholic, and the Mad on the Seventeenth-Century English Stage. Bloomington: Indiana University Press, 2006.
Yelloly, Margaret. “‘The Ingenious Miss Turner’: Elizabeth Turner (d 1756), Singer, Harpsichordist and Composer.” Early Music 33.1 (February 2005): 65-80.
Please send citations or suggestions for inclusion to Jennifer Oates.
Webmaster, Kendra Leonard
Last updated August 2008